The Antique Auction Forum Podcast & Blog

The 1919 Molasses Flood was a tragic and significant event in the history of Boston’s North End, reflecting the challenges of a rapidly changing city after World War I. In this episode, Jake Sconyers from the HUB History podcast delves into the disaster, examining the working-class Italian immigrant community it affected, the lasting impact on the neighborhood, and how the Great Molasses Flood has become a piece of Boston’s enduring mythology.

BIO: Jake Sconyers is the founder and cohost of HUB History, a weekly podcast where we share our favorite stories from Boston’s history. Before starting the podcast, Jake founded and ran a walking tour company called Boston Strolls for a couple of seasons. More recently, he has been a lecturer at Cambridge Center for Adult Education, an organizer of History Camp Boston, and a volunteer docent at the Shirley-Eustis House.In addition to Jake’s obsession with Boston history, he takes the photographs that he shares here, and he enjoys running marathons, kayaking, gardening, making jam and jelly, brewing hard cider, and grilling and barbecuing tasty meats. At work, he helps physicians use their EHR. He is a volunteer with a dog rescue called Shultzs Guest House and he gives platelets to the Red Cross. Read more →

First ever monologue discussing how I got into antiques, and the adventure along the way. From digging bottles, a 1964 garage sale, to my dad auctioning for the first time by replacing a drunken auctioneer. Let’s not forget a $300k rug fragment that came from the box lot of things that could not sell at a yard sale. This fragment was from the same home that we were all excited about the Paul Revere silver spoon & and lastly  a story that could have inspMrs Doubtfire! Email: auctionpodcast@me.com

 

Robert K. Wittman had a remarkable career as an FBI agent for 20 years, from 1988 to 2008. Specializing in art theft and cultural property crime, Robert became the FBI’s go-to expert for these types of cases. His impressive work undercover led to the recovery of over $300 billion worth of stolen art and property across 20 different countries. His extensive undercover operations are detailed in his book, Priceless: How I Went Undercover to Rescue the World’s Stolen Treasures. He has fascinating stories. https://www.robertwittmaninc.com/

In 2008, after 20 years with the FBI, Robert Wittman retired from the Bureau and brought his expertise to the private sector. He sought to create a Security and Recovery Consulting firm that would draw on his unique investigative experience to protect its clients from losses related to theft, fraud or forgery. Since its inception, Robert Wittman Inc. has grown far beyond its original vision, providing protection and recovery services to more than 100 public and private collections worldwide. Robert Wittman Inc. continues to proudly serve a diverse portfolio of institutions, auction houses, collectors, galleries, insurance companies and Nations committed to protecting their cultural assets.

Martin’s mentioning of the Declaration of Independence almost forgotten when Washington was burning: “Pleasonton acquired several coarse linen bags, and filled them with all the Department’s records. This included the still-unpublished secret journals of Congress, the commission and correspondence of George Washington, the Articles of Confederation, the United States Constitutionand all the treaties, laws, and correspondence of the department made since 1789. He had all of this placed in coarse linen sacks and carted to a grist mill two miles beyond Georgetown. Before he left, he noticed the Declaration of Independence had been forgotten and was still hanging in its frame on the wall, and took that as well.”

Robert’s Story on Dolly Madison saving the George Washington Portrait 

2010 interview with HARDCORE HISTORY’S Dan Carlin, a fascinating guest who’s podcast still holds up after 11 years. Dan talks about prep for his shows, the predictable things that happen when you reflect on history and much more.

Founder of Art Guard, Bill Anderson discusses the art theft market, as well as Art Guard’s system which is dedicated to protecting anything that’s valuable and portable. A system that is always on, operating discreetly in the background, managed from anywhere on a mobile device.