Really Digging Bottles

by Bram Hepburn

Many advanced collectors of early American glass bottles will tell you the category they first started collecting was ink bottles. Their diminutive size and alluring colors and shapes catch the eye of anyone with an appreciation for detail and a fascination with the early glass-blowing trade as it developed on this continent.

For a beginning collector, or an interior decorator in search of vintage accents for old cupboards and desks, a 120-year-old ink bottle will often fit the bill and is very affordable. For a few dollars, you have an authentic glass container that was used every day by someone with a quill pen, sitting at a desk, filling out bills or invoices, or carefully writing a letter by hand in cursive (which is becoming a lost art).

I have been a bottle “digger” in New England for 30-plus years, digging in the forest, in foundations, in old outhouse pits and even under water with the help of SCUBA equipment. If I didn’t have other responsibilities, this is probably all I would do; it is simply that much fun. Compulsive bottle hunting doesn’t lend well to raising a family and paying bills, however, as the following story attests:

Marilyn Monroe, The Legend Lives On

Marilyn Monroe, The Legend Lives On

An appraiser’s perspective of an icon’s written words

by Martin Willis

I was recently involved in a very large appraisal and worked with a team of appraisers having varied specialties. It was my job to appraise the entertainment collection which included a vast amount of Marilyn Monroe artifacts, images and correspondence. To protect the client who owns the collection, I cannot get into too much detail in this blog, but I would like to express the experience of it all. I do not consider myself an expert on Marilyn Monroe, but I certainly know a lot more than I did before I took on this project.

When I think of Marilyn, I see those bedroom eyes, her signature mole above her lip and her platinum colored hair. She had a refreshing beauty that was timeless. This coming June 1, she would’ve been 86 years old and on August 5th, it will be the 50th Memorial Anniversary of her demise. Because of this Memorial and growing intrigue, her letters, signed photos and artifacts such as her belongings & apparel are becoming increasingly in demand. A good example of this phenomenon was the famous Subway Dress at the Debbie Reynolds Auction last year which sold for $4.6 million.

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Show Notes, Episode 102. FBI agent Robert Whitman

 

Martin: I have Bob on the line now how you doing?

 

Bob: I am doing well; it’s great to be here Martin thank you.

 

Martin: I was pretty excited when Eric Bradley of Antique Trader gave me her name and I thought it would make the perfect podcast. There is a lot of intrigue when it comes to art theft, and you are on the Colbert Report what was that like?

Bob: He is a great guy, very smart man, he works hard at that show, and it’s a great show.

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Show Notes, Episode 101. Steiff Gal

Martin: I’m on Skype with Rebekah competent, Steiffgal Cambridge, Massachusetts are you doing Rebekah?

Rebekah: it is a pleasure to be speaking with you this evening.

Martin: thank you, and you are the Steiffgal please tell us why you are the Steiffgal?

Rebekah: I am the Steiffgal, because my absolute love and passion is Steiff which is the vintage German brand, button in ear teddy bear, animals and dolls. I’ve been collecting Steiff the vast majority of my life, over 40 years, I blog about Steiff I work for Steiff as a consultant archivist, meaning I travel the country on behalf of the organization and identify and value Steiff products for the company. I also write extensively about Steiff for many media outlets. My Steiff Life is my blog, and truly describes a good part of my life. Read more

Sweet Chariot (blog)

I recently had the pleasure of vetting The Original Miami Beach Antique Show, and saw an amazing bronze by Emile Louis Picault (France, b. 1833-1913). There was a constant buzz at the show about this masterpiece in bronze. It sold for over $300,000 when the show first began and there was a man waiting in line to pay $75,000 more than asking. I was asked by Worthpoint to write and article about this amazing piece, so please click here to read my story and get the inside scoop from my interview with Robin Greenwald at  Greenwald’s Antiques. (photo by Greg Watkins)

 

 

 

 

 

 

 

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Fakes and Reproductions (blog)

Fakes and Reproductions (blog)

I always seem to talk about fakes and reproductions in every podcast that I do. And lately I have been apologizing for doing so. Fakes have always been around and it probably always will be around. As a collector, auctioneer, and dealer I realize that there is nothing that I can do about this. The only thing I attempt to do about this is talk about it my podcast and try to get the information from each specialists in their field, specifically on how the novice and stay away from purchasing a fake by accident.

I’ve heard since a very young age, that the Chinese have been faking ceramics for thousands of years. This phrase does sound rather humorous but I’m sure it’s true. I am not picking on the Chinese specifically, it’s just that this is a good example to explain that takes a been around forever. That being said,  I’d love to find 1000-year-old Chinese fake porcelain of an earlier time.

From what I can figure out in the 40 years or so that it in doing this is that if something has value, then you’ll see fakes. Sometimes the things that you see are faked are only worth a few dollars, and it is puzzling to me on why it would be worth all the effort.

A number of times someone has asked me what is the difference between a fake and a reproduction. My answer is, he reproduction is a copy of something, and a fake is a deliberate copy to deceive someone. My own opinion is I really don’t like reproductions, but I can live with them. I despise fakes because I think it hurts the markets in many ways.

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